Hey everyone! Hope you’re doing okay; the world is pretty stressful at the moment…
(With regard to George Floyd, I was shocked but sadly not surprised that he was treated this way because it seems to be an ongoing trend in the US. I love to write this blog to share Tap Dance and its (mainly) African American history which is at times uncomfortable to the modern reader who hasn’t experienced racial segregation or apartheid, or perhaps doesn’t have the slave trade in their family tree, but it’s no good pretending it didn’t happen or that it doesn’t affect life and societal structures today. I am ALL ABOUT THE UNITY OF PEOPLE and treating others as you want to be treated, and I love how the Tap Community in all its diversity has come together in this). Enough said.
This week: Not only did I temporarily return to working from home on Monday after a month on furlough to a tonne of emails and work that needed to be done yesterday, but the Tap & Tea History talks resumed on Zoom last week! I didn’t get a chance to write about last week’s talk, so here it is! I’ll share this week’s talk from Bril Barrett straight after this one.
Ray is a tap dancer, director, choreographer and comedian based in New York City, who teaches at Julliard, Steps on Broadway and previously taught at Broadway Dance Centre. He’s also done some instructional tap videos! His background was really interesting to me because he started as a pianist, and then got into tap dance at UCLA when he auditioned in the theatre programme, but couldn’t do the tap required, so he started taking lessons! Being based in LA, he was in the right place to meet up with and learn from lots of older tap dancers who had retired from the movies, including Miriam Nelson, who became his mentor and told him he needed to move to New York! (This theme has popped up in several Tap & Tea sessions – New York is the place to be). Ray talked about how he moved into teaching, his discovery of Eleanor Powell (who apparently only had 10 private tap lessons and choreographed all her own movie dances), how he choreographs and how to sustain an audience.
I was interested to hear that Ray studied classical Indian dance, after becoming obsessed with Jack Cole, who did the same, and how it informs his tap dancing. I was also interested to hear him say that he wished there was a bit more respect for tap dance, particularly from his students, which comes from knowing and respecting its history. It’s difficult when children are being made to do it by their parents!
As has been the case for a few of the guests we’ve had on Tap & Tea, Ray was invited by Derick K. Grant to be in his big-budget show Imagine Tap (2006). It was inspiring to hear that he saw who else was in the cast, like Maud Arnold, Jason Samuels Smith, Ayodele Casel, Michelle Dorrance, Bril Barrett, etc (people he described as ‘fierce’) and felt totally out of his depth and wondered why Derick had invited him, but then he realised he had something else to bring! Basically, the gap was bridged between ‘theatre tap’ and ‘rhythm tap’.
Finally, he discussed inspiring the next generation, and the fact that he’d like to see more interesting tap choreography on Broadway and more people in tap classes! Apparently lots of people ignore tap until they get an audition – I can vouch for this. When I was doing Beginners Tap, this actor came to the class and said he’d got a part in a show and needed to learn to tap in 6 weeks…and then said he wasn’t learning it quick enough. Crazy!
Another amazing Tap & Tea session!
Practice what you’re not great at
The only person who will push you, is YOU
The more you can do technically, the more rounded you’ll be…but do something because you like it!
You never stop learning