This week I was able to attend my tap class via the Zoom app! At 2pm on Thursday we got together online to catch up how each other are doing in lockdown, to warm up to Paul Simon’s You can call me Al, and to learn a bit more of our routine! I did the class from my garage gym/dance studio and my SO managed to drag the broadband router to the back of the house so I could get WiFi down there. It was a lot of fun and just really nice to see everyone’s faces and catch up.
Our teacher is sending us a video of the routine so we can practice, and we have also been given a bit of homework – to come up with something for 8 beats that can be used in a call-and-response section of the routine!
Last Saturday I got out into the garage to do some tapping and keep my activity levels up… and I filmed some for you! I wore anklet socks over the front of my tap shoes to reduce the tinny sound it makes on the tap board – a tip I picked up from someone in a tap forum.
Rhythm tap restarted last Thursday afternoon after a two week break, and we’re learning a really fun routine to Sweet Georgia Brown by Brother Bones and His Shadows – it involves A LOT of jumping! Exciting news – next week we start rehearsals for a performance that we’ll be doing at the college’s Flamenco & Latin Cabaret at the end of this month! I’m really looking forward to revisiting the Latin-flavoured Peanut Vendor routine that we did last term. It will also be my TAP DANCE DEBUT! I’m waiting until nearer the time to invite people…LOL.
In other news, our teacher also announced yesterday to the daytime intermediate class that she is offering each of us a 15 minute private lesson in April/May to make up for the abandoned final class of last term where she was taken ill. I’m currently having a think about what I would like to learn or explore. Wings? A time step? Cross-phrasing? I’m not sure yet.
Guys, this week I just went ahead and cancelled my £10-a-month gym membership at the university. Not because of COVID-19, but because I literally haven’t been for WEEKS. WEEKS! I’m trying to make a habit of exercising 3 times a week to stay fit and flexible, but I’m also trying to work on my writing, so to make life simpler I have swapped the lunchtime gym session for writing time. My SO and I have set up a pretty good weights gym in the garage at home, so I really don’t need to pay to use someone else’s (no matter how cheap it is at the moment!). Another thing – I only work in London Monday-Thursday, so sometimes it feels like a squeeze to fit the gym in, what with tap dancing, writing and trying to go for coffee catch-ups with colleagues etc 🙂
So as well as saving £10 a month, I’m also getting a lunch hour back and my exercise schedule now looks like this:
Last night my colleagues and I went to see the brand new West End production of Prince of Egypt! It lasted an epic 2.5 hours and I didn’t get home until 11.30pm, but the singing was amazing and the staging was atmospheric and effective. Can I just mention that the dancers were fantastic? I didn’t expect that amount of dance, but it featured throughout the storytelling and the top-rate choreography definitely deserves a round of applause. The song When you Believe was a particular highlight, having been made famous by Whitney and Mariah. I would recommend!
Earlier this month, my SO and I had a long weekend away, Friday to Monday, at a hot tub beach hut retreat by the sea in Devon. We walked the coast path, relaxed in the outdoor hot tub, read books, binge-watched US crime drama and chilled. There was a huge storm raging around us towards the end of the weekend, but we were fairly sheltered. We’ll definitely go back!
Now that we’ve added to our home workout equipment and reorganised the garage space, my SO and I got out into the garage on Sunday afternoon and did a weight training session. Bluetooth speaker, banging playlist, aerobic warm-up, barbell, kettlebells, dumbbells and stretching. To improve my conditioning for tap dance, I would ideally like to exercise 3 times a week. Let’s see if we can make the weights session a regular thing!
I haven’t been to the gym for a few weeks. No excuses, I just couldn’t be bothered. But today I got my thang together and went! Unfortunately, going on a Wednesday rather than a Tuesday lunchtime, it was quite busy, with people hogging the free weights area and others going through their personal training session in the middle of the gym room. Still, despite this, I plugged in and did the cross trainer, overhead press, and some stretching. I feel so much better for going, having felt very negative most of this week!
I’m making sure to give my feet a good stretch every day and especially after exercise because I found they were aching A LOT during and after my tap classes the last few weeks – although I worked out that some of the ache came from wearing socks that were too thick, and then cramming my feet into my tap shoes, causing a deficit in wiggle room!
We’re learning a fun intermediate level routine to the song ‘The Peanut Vendor’ (1956 version) by Stan Kenton & His Orchestra and I’m loving it! We’re using a combination created by the legend that is Honi Coles as well as doing a 3-beat riff on both feet at the same time…Yes, I am wearing a left knee support so I don’t end up injured again! Tomorrow is the penultimate class before the 2 week half term break, and I am already signed up to the next block starting in March – YAY!
p.s. I’m giving Tap Dance Festival UK, which takes place in Manchester next weekend, a miss this year – BOO!
In my intermediate Rhythm Tap class this half-term we’re practising a combination created by tap legend Honi Coles. Who? You know, the guy who played bandleader Tito Suarez in Dirty Dancing (1987). But he was much more than that, so I thought I’d share with you everything you need to know about him:
Who: Charles ‘Honi’ Coles
Born: 2nd April 1911 in Philadelphia, Pennsylvania
Died: 12th November 1992 in Queens, New York
Learnt to tap dance: On the streets of Philadelphia where people would challenge each other in ‘cutting contests’, which are basically tap dance battles.
Known for: The fastest feet in showbiz. After being let go from the dance act ‘The Three Millers’ he apparently shut himself away for a year and practised constantly (known as ‘wood-shedding’), and when he returned to the performing circuit he had perfected his technique and could fit a crazy number of steps into a bar of music.
Tap Dance Style: Classic, class act, soft shoe, high-speed rhythm tap
Said: “If you can walk, you can tap”.
If you can walk, you can tap
Recognition: Drama Desk Award (1982), Tony Award for Best Choreographer (1982), Dance Magazine Award 1985, Capezio Award for Lifetime Achievement (1988), National Medal of the Arts (1991). He was inducted into the Tap Dance Hall of Fame in 2003.
Performed with: Cholly Atkins (an expert Wing dancer) as class act ‘Coles & Atkins’ for 13 years. Prior to that, he was one the ‘Three Millers’, who were known for performing extremely intricate steps on tiny platforms…until he was replaced by someone else. In the late 1930’s he performed with the ‘Lucky 7 Trio’. He also toured with the Swing bands of Duke Ellison, Count Basie, Cab Calloway, Louis Armstrong.
Stage: Vaudeville circuit, Broadway (Gentlemen Prefer Blondes, My One and Only)
Movies: Rocky II (1979), The Cotton Club (1984), Dirty Dancing (1987)
TV: Tap Dance in America, Conversations in Dance, Great Feats of the Feet, The Tap Dance Kid, Mr Griffin and Me, Charleston, Archives of a Master, etc
Taught: Taught Dance History at Yale, Cornell, Duke and George Washington universities. He opened the Dance Craft Studio on 52nd Street in New York City with fellow tap dancer Pete Nugent in the 1950’s, but by then tap dance was falling out of fashion.
What they said about him:
“A supreme illusionist”
“…the delicacy and power of a master pianist’s hands”