Check It Out

I never made it to my tap class last night because I was feeling a bit on the fatigued side and decided to head home and rest, instead of overdoing it and ending up unable to surface for a busy work day in the morning (or passing out in the studio). Sometimes you’ve just got to give in and rest.

As is tradition now, today I had a little practice of a pickup exercise we’ve been doing. Check it out LOL

 

 

I also booked tickets to see The Tap Pack at Sadlers Wells’ Peacock Theatre in Holborn next Thursday evening! I had kind of written it off due to going to 42nd Street this coming Saturday (oh by the way, turns out my brother used to teach the lead actress!) and wanting to calm it down a bit, but I got an email from Sadlers Wells featuring a clip of the show and the tickets are discounted for certain evenings… Cannot wait!

Courtesy of Peacock Theatre

Next Wednesday we have a guest teacher at our tap class so that should be fun!

OMG Cats Workshop

Pineapple Studios

So yesterday afternoon I went into London and took part in the OMG So Stagey Cats (The Musical) Workshop at Pineapple Studios, Covent Garden, taught by cast member Cameron Ball (Macavity/Admetus).

It was AMAZINGGGGGGG!!!

It was a packed studio as expected, and extremely hot until someone found the air con switch! We did a quick aerobic warm up consisting of jogging with various arm circles, plus some stretches and some cat-like movements and mannerisms to get us into character and ready for the routine we’d be learning…. The Jellicle Ball! OMG Yes, everyone was very excited!

If you know the Andrew Lloyd-Webber musical, you will know it’s the bit everyone gets excited about. It’s a 12 minute full on dance piece, but we were only learning the first few minutes. Apparently the full piece is notoriously a killer! The part we learnt is an audition piece – ooh!

The choreography by Gillian Lynne is amazing. Formerly a ballet soloist, she is now 94 and apparently still does the splits, every day. Wow.

I’ve been to see the show several times, including once at its original home, the New London Theatre in Covent Garden’s Drury Lane. I also have the show on DVD, which I used to dance along to a bit here and there, so I kind of know the part we were learning very well, but obviously we were learning the intricacies that you don’t pick up from a DVD, i.e. the particular steps, and the bits when the camera pans away to something else! But this prior knowledge definitely helped me remember where I supposed to be going because there are a lot of changes of direction. We performed the piece various times as a whole group, in 2 groups and even in 3 groups while the others watched. There were also people watching from outside the studio – all adds to the exhilaration of performing!

After learning the routine, we were then taught the bit at the very start very start of the Jellicle Ball, where we all begin by lying on the floor and then different cats pop up as they sense that someone is there (Grizabella, a fallen glamour cat). We were all labelled number 1, 2 or 3 and then each number had a different thing to do once the music kicked in. I was a number 1, so I was tapping on the floor with my claws 6 times, then I had to come up to standing, bring my hands up in front and behind my midriff with knees bent and then do a kind of jazz-hands, head shake, body shake. Others were shoulder shimmying and or shaking their booty. So much fun! This then led into our main routine, which we then performed all the way through in groups and all together!

I have to say I felt my back pinch the last time through, but, the show must go on! I was ok, I had just over-rotated when I was on the floor.

Watch the Jellicle Ball here (we ended at 1:18):

It was such a fun afternoon and I finally got to learn some of the Cats choreography, which I’ve wanted to do since I first saw the show in the 90’s.

p.s. Only one person was dressed up head to toe in costume, plus makeup! No, it wasn’t me ūüėĀ

OMG So Stagey do other West End Workshops at Pineapple (Kinky Boots, Les Miserables etc), so check them out if you’re in the London area.

So Stagey

Tap was cancelled last week but I actually didn’t mind because I was quite tired anyway, but at the same time it was a shame to not tap for two weeks. Actually, MOVE IT 2018 made up for it so I really only went one week without tapping!

This week our teacher is running a catch up class, so I’ll be going along to that tomorrow lunchtime, armed with new top and microfibre sweat towel, both bargains I picked up from Decathlon which has just opened nearby ūüôā

Sooo glad I have a week off work next week! However, I will still be dancing. Not tap, as that class will be taking a break over Easter. Being the keen person that I am, I have only gone and signed up to take part in OMG So Stagey CATS WORKSHOP at Pineapple Studios! Cats is my favourite musical ever and I must have seen it at the theatre least 6 times. So when I got a newsletter through from Pineapple and saw that a recent cast member was running this workshop, I was like “I’M THERE!”

It’s next Sunday afternoon and I will fill you in on the goss afterwards. Not sure if we need to dress up…

Tomoz

Sadly I didn’t make it to Tap this lunchtime, but fear not, tomorrow I’m off to MOVE IT 2018!

I will be doing the following workshops while I’m there:

13.45 Percussive Hands & Feet with Stomp OR Tap Workshop with London Studio Centre

15.30 Tap with Chloe and Maud Arnold of the Syncopated Ladies

Now, I had originally said I was doing the Tap workshop with London Studio Centre, but I got that confused when booking with a Musical Theatre Tap workshop taking place at 10.30 in the morning and double booked the 13.45 slot – oops! So I think I’m gonna go with Percussive Hands and Feet to pick up a new skill which will help with my tap massively.

I will share all about the day (with pics) over the weekend!

I’ve also started a Tap Notebook. I love notebooks and writing and tap, so it was bound to happen! Here I am jotting down all the terms, tips, corrections, steps to practice and other relevant stuff from my tap learning. I got the idea from a Dancer’s Journal that I bought at Bloch over a year ago. It’s lovely, but unfortunately I found it too structured to fill out with what I’m doing. I think it’s more suited to full time dance students. If you don’t fit the mould, make your own!

Style

La La Land

This morning I booked a place on a La La Land tap dance workshop, taking place at Arts Educational in Chiswick in a few weeks’ time!

It will be half-term that week, so there is a break from my usual tap class. I am always looking out for opportunities to try out what I have learnt, so it will be interesting to try a 1.5hr workshop with a different teacher, and see how it varies in style. I know my usual teacher said that Hollywood style tap is very different to Rhythm tap, suggesting the Hollywood footwork is less technical. Rhythm tap is more syncopated and complex.

“Rhythm tap, made famous by John W. Bubbles, incorporated more percussive heel drops and lower-body movement rather than emphasizing toe taps and upper-body movement. It is more grounded and focuses more on acoustic rather than the aesthetic qualities. Gregory Hines brought back this style…demonstrating that rhythm tap‚Äôs focus is always on the feet.”¬†http://www.humankinetics.com/excerpts/excerpts/learn-the-styles-and-aesthetics-of-tap-dance

Maybe La La Land will be easier to pick up compared to what I usually do… or maybe not! I haven’t seen the film, and Ryan Gosling’s free hand really bothers me in the movie poster (see above), but maybe I should try and watch it before I go, to get into the character…

In the meantime, I have been practising the Tori Amos rhythm tap routine¬†at every spare moment. The next part we’re going to learn looks a little complicated, but there’s a real sense of achievement when you get it. Hopefully I won’t have a lazy left foot today.

Oooh, I have lots of tap stuff lined up this Autumn – never mind that we’re¬†anticipating a house move in the next month or so! (Yes, that scenario is still dragging on, *sigh*)

DSC_0336.JPG

Good things…

…come to those who wait

 

Citylit
Image courtesy of Hotcourses

Last week I got an email with a ¬£10 voucher code to entice me back to Covent Garden’s City Lit. I have been considering booking onto Ballet at the Barre on Wednesday nights, which I absolutely loved and miss the discipline (and conditioning) of, but:

a) last time I tried to do that and¬†tap the day after, I was exhausted and my memory wouldn’t extend to two different routines, even though the ballet one was ridiculously easy.

b) I need to cut back on my spending as the house move approaches and all the (many) expenses that go with that.

I think I might have to delete that email and just wait until next year :(((

I’ll let you know.

Rambert Adult Summer Dance Intensive

I have just got home from Day 1 of the Adult Summer Dance Intensive hosted by the Rambert Dance Company in their lovely modern studios by Waterloo Station. What a day!

I was a little apprehensive because I was going on my own and I haven’t done any contemporary dance since 2013… Anyway, I got there in plenty of time so I didn’t have to stress about being late.

The classes ran as follows:

10am Contemporary (Carolyn Bolton)

This was our warm up class, which got us doing typical ballet warm-up exercises, such as plies, releve, degage, grande battement etc. Aw, I’ve missed these! Then we moved into doing some contemporary exercises, including travelling corner to corner, jumps and a short routine. This was a lot of fun, but not being used to dancing bare foot lately, my achilles tendons did play up a bit on the jumps section. After this we had a 15 minute break to use the facilities, refill water bottles, grab a healthy snack and stretch.

11.30am Choreography (Stephen Quildan)

I had a feeling we would be creating our own choreography, and that’s exactly what we did! We had six words to interpret through movement: Spiral, Drop, Stab, Blue, Explode, Relax. Then we had to perform these in 2 separate groups in silence, then to a piece of music. The observing group then had to answer questions about the differences they noticed between say, music and silence, making eye contact with your partner or looking straight ahead or at the ceiling. Then we did some silly things at the end, including a dance Chinese Whispers game i.e. pass the move along the line… It really didn’t seem that scary to be performing in front of an audience. Definitely found it easier to come up with choreography in this workshop than I did at the Tap workshop the other day…

12.30pm Lunch break

1.30pm Repertoire Workshop: Tomorrow (Simone Damburg)

We were supposed to be learning the piece ‘Ghost Dances’, but they swapped the repertoire programme for the 2 days around, so we were learning ‘Tomorrow’, which is basically the story of Macbeth backwards. We were learning part of what is performed by the ‘witches’ on one half of the stage. It was so much fun! Lots of jagged movements, fast, slow, pauses, pulsing, shudder, shake! We ended up performing it in one big group with the teacher, Simone, then we performed it without her, then in two groups, then in four small groups (about 6 of us)! SO GOOD! Followed by a much appreciated 15 minute break.

3pm Stretch/Yoga 

For this class we had a cover teacher, so it took a while to get yoga mats and music sorted, but once we got started the relaxation could begin! My favourite bits were the child’s pose and lying on the mat! We were doing Yin yoga, which meant holding poses for around 4 minutes at a time for ‘deep tissue’ work.¬†Some of it was a bit advanced for me, like even using a foam block didn’t help LOL. I also found my lower back was kind of jarred by it, so I will have to stretch and roll out the muscles this evening.

4pm Home time!

But not before filling out a feedback form and buying a T-Shirt!

Verdict: A good mixture of ages and abilities (from student to retired), and I didn’t once feel intimidated, even though some people were clearly more experienced dancers. Everyone was very friendly and the teachers who are all Rambert dancers made it a fun and relaxed environment. Being a relatively new building, the facilities are fantastic. Although contemporary dance is done bare foot, some wore socks for the whole day (I did on and off to avoid blisters when turning) and some wore foot thongs. I would thoroughly recommend the dance intensive or any of Rambert’s regular classes if you’re in London. I’m really glad I booked it and I enjoyed the chance to learn from the professionals (and other students) and to dance with such expression. BOOM!

www.rambert.org.uk