Dorrance Dance Review

Last Thursday evening I went to Sadlers Wells, London’s home of dance, to see Dorrance Dance perform a triple bill: Three to One, Jungle Blues and Myelination. Led by Michelle Dorrance, Dorrance Dance are known for their Rhythm Tap as opposed to the typical theatrical showtap style, which made me jump at the chance to see them.

Jungle Blues

A lighthearted, southern, bluesy piece featuring the whole company. Smiling and laid back, with the gangly and awkward Warren Craft sliding around the stage in a slapstick fashion, it was fun to watch.

Three to One

After a short break, this piece began with 3 pairs of legs illuminated by a rectangle of light. Dorrance was in the middle in tap shoes and two barefoot male dancers were either side, doing exactly the same steps; an interesting concept of sound and silence, light and dark. Eventually they were fully lit and Dorrance is thrust into the darkness.

Myelination

This final, longer piece showcased the entire company, including the two breakdancers. The pint-sized B-girl was mesmerising in her contortions and fluidity of movement, if not slightly disturbing at points. I’m thinking of her frenetic movements on the ground, engulfed by red light as Warren Craft plays an electric guitar behind her, like something from The Exorcist (I’ve never seen the film, but I’ve seen enough trailers and silly gifs).

This show was pure rhythm and every sound was hit like a drum. Each dancer had their time to shine, and my favourite was Christopher Broughton’s old school tap solo, which was a nod to dancers such as the Nicholas Brothers, Bill ‘Bojangles’ Robinson and others. A suited Nicholas Van Young’s quick tapping brought to mind Gregory Hines’ close to the floor tap style.

Can I just mention the live jazz band on stage. The singing was exceptional. The guy on the keyboard and occasionally the drums had a voice like velvet. I’d buy his album!

I give the show 4 out of 5 stars for its innovative 21st century interpretation of rhythm tap dance, but it wasn’t as exciting as I was expecting, after rave reviews of previous shows. It was probably a little ‘out of the box’ for me this time.

It’s Tap Wednesday!

This evening I managed to stay at work until 5pm. Doesn’t sound late, but it’s at least an hour after all my colleagues have left! But that’s another story. Went to Rhythm Tap II (tried to hydrate as much as possible beforehand) and caught up briefly with R. No sign of K this term – maybe she’s doing something else.

Once again the basement studio was like a SAUNA. I actually missed an opportunity to use a sauna at a hotel we stayed at in Birmingham at the weekend for the National Running Show, so maybe I shouldn’t complain LOL

It was a full studio as is the way on Wednesday nights and you could sense everyone’s energy – KABOOM!It’s funny how different it feels to a Thursday lunchtime which is smaller, calm and laid back. We warmed up in a circle as usual and then did some more 3 beat exercises as per last week. One exercise travelling backwards, one crawling to the side another on the spot. The one I’ve been practicing constantly because it’s in the routine! Just doing that I was sweating.

We then moved on to our routine which, you guessed it, is in 3/4 beats. I remembered the beginning and then there was lots of new stuff to learn. Some parts a little tricky, but I’ll get ’em. Loved the quick jump in the air with double-flap at the end! (jump-f-lap-f-lap!)

Class finished with the group split into 2 to perform it while the other half watched. I felt a little self conscious in the sense that my mind went blank just as we were about to start (!) BUT I trusted that I would just go with it, and I actually did better than when we were all dancing together. I think it’s that thing of doing better under pressure again, which I don’t get. Or maybe it’s because I’ve been meditating on this:

Tap Dance in America

This weekend, I finally got around to watching Gregory Hines: Tap Dance in America on YouTube.

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Image courtesy of YouTube

It was originally shown on PBS back in 1989 I believe, and it is clearly from someone’s VCR recording that they probably transferred to DVD at some point.

It lasts almost an hour and gives a great run-down of the leading tap artists in America, quite a few of whom are sadly no longer around. But here you get the chance to see them in action, on stage or taking part in a tap battle. Tap is definitely a social dance! You might recognise legend Honi Coles as the bandmaster in Dirty Dancing (I’m talking about the original film, not the disrespectful-to-Swayze remake).

Watching the documentary, my favourite performances were from Gregory Hines (of course!), a young Savion Glover and the duo of Gregg Burge (choreographed Michael Jackson’s Bad) and Hinton Battle (Scarecrow in Broadway version of The Wiz). Battle and Burge really reminded me of the Nicholas Brothers in the way they did classical tap, complete with jetes, leapfrogs and the splits. Brenda Bufalino was also great to see perform as I’ve heard and read a lot about her and I believe she taught a masterclass in London earlier in the year.

There is also a bit of comedy running through the documentary about trying to get Gregory Hines to tighten the screws on his taps (some tappers dance with loosened tap plates, others don’t) – I’m quite a stomper, so I like my tap plates tightened to the shoe.

Verdict: This ever so 80’s PBS special is definitely worth watching as part of your tap immersion. Some enjoyable viewing on a lazy Saturday afternoon.

The next tap-related film I want to watch is Tap starring Gregory Hines (1989). I caught a clip on YouTube where people were dancing on tables and it looks so New Jack Swing FUNKY. Takes me back. Love it!